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Children of the Temple: Religion, Art, and Ecology on Bali
Section: CULTURE / PEOPLES
Author: David Hicks
Publication: The world & I online
Issue Date: 5/1/1995
Size: 2,929 Words, 18,186 Characters

On the far side of a screen, a Balinese puppet master manipulates dozens of puppets before a light that casts their two-dimensional figures into shadow. The audience, seated on the other side of the screen, knows these reflections as Arjuna (the elegant young romantic all Balinese men aspire to emulate), Prince Rama, Princess Sita, spirits, or hundreds of other stock characters. The shadow figures strut, pose, argue, fight, and lament as they deliver important moral messages or risk themselves in bold adventures. Good versus bad, purity versus impurity are perennial themes. Gods and heroes dominate the right side of the screen, while demons and villains appear on the left. This convention replicates the Hindu association of the right with good and purity and the left with evil and impurity...

. . .


...erial benefit. Without their essential function of bringing spirits and humans together in ritual and art, temples would not be built, water would not be at hand to nourish the rice, and the children of the temple would perish.

Additional Reading:

Miguel Covarrubias, Island of Bali, Alfred A. Knopf, New York, 1937.J. Stephen Lansing, The Three Worlds of Bali, Praeger, New York, 1983.



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Publication Details (The World & I Online)
The World & I Online is a comprehensive academic resource that encompasses a broad range of articles by scholars and experts in the areas of Global Studies, Liberal Arts, Fine & Applied Arts, General Science, and Spanish. Originally published monthly in print as The World & I, our site includes the complete contents since 1986 and continues to publish a new issue online each month.
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