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El Lissitzky: Architect of the Russian Avant-Garde
Section: THE ARTS / ARCHITECTURE
Author: Jeannine Fielder and Louis Kaplan
Publication: The world & I online
Issue Date: 9/1/1991
Size: 1,058 Words, 6,905 Characters

Recognition of the Russian avant-garde as an integral and vital part of western European artistic and architectural innovation has grown exponentially with the onset of glasnost. El Lissitzky (1890-1941): Architect, Painter, Photographer, Typographer, the current centennial exhibition celebrating the career of Russian-born architect Eliezar Lissitzky, was organized and first shown by the Tretyakov Gallery in Moscow. A quick leap back over decades of sterile Socialist Realism lets us rediscover the vibrant, abstract universe of a non-Euclidean master geometrician of form.

Lissitzky acted as a cultural liaison between the artists of the Soviet revolution and the avant-garde of central Europe in the 1920s. He worked on various projects, for a time in Germany, Switzerland, Holland, and F...


. . .


...aesthetic ornament for a standard apartment building located in Rotterdam wherein all the political implications of the former have been dropped in favor of a nice view. The replication of spatial diagonals is not enough to constitute an architectural heritage, nor even to establish a red thread with a socialist utopian who called for a "remodelling of the whole material environment of life."



(806 of 6,905 characters)

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Publication Details (The World & I Online)
The World & I Online is a comprehensive academic resource that encompasses a broad range of articles by scholars and experts in the areas of Global Studies, Liberal Arts, Fine & Applied Arts, General Science, and Spanish. Originally published monthly in print as The World & I, our site includes the complete contents since 1986 and continues to publish a new issue online each month.
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