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One Sublime Half Hour: Baryshnikov Makes Dancers Worthwhile
Section: THE ARTS / FILM
Author: J. Perceval
Publication: The world & I online
Issue Date: 12/1/1987
Size: 849 Words, 5,018 Characters

Mikhail Baryshnikov has presence to burn: he dominated the screen even when he is not dancing. But in the first half of Herbert Ross' film Dancers, the Baryshnikov presence is no proof against a silly story line.

Dancers takes as its premise an American ballet troupe's filming of the classic ballet Giselle under the direction of a celebrated Russian-born dancer in the handsome old Italian city of Bari.

Fair enough, if not especially original, but director Ross (The Turning Point, Nijinsky) and screenwriter Sarah Kernochan apparently decided the ballet would be more acceptable to movie audiences if its story li...


. . .


... is a last reference to the ballet Giselle, wherein the village maid plucked petals from a daisy to learn whether Albrecht loved her or not.

Still, the simplicity and purity of Baryshnikov's line and the intensity and sincerity of his acting in the second act of Giselle make this a film not be missed, even if you have to close your mind to its first half. The last half-hour is sublime.



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Publication Details (The World & I Online)
The World & I Online is a comprehensive academic resource that encompasses a broad range of articles by scholars and experts in the areas of Global Studies, Liberal Arts, Fine & Applied Arts, General Science, and Spanish. Originally published monthly in print as The World & I, our site includes the complete contents since 1986 and continues to publish a new issue online each month.
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