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Seoul Art: Where Past and Present Meet
Section: THE ARTS / ART
Author: Betty Rogers Rubenstein
Publication: The world & I online
Issue Date: 2/1/1993
Size: 1,157 Words, 7,138 Characters

In Seoul, South Korea, a high-tech city of thirteen million people, sculpture and painting rank in importance just after the family car. Even a casual visitor to Seoul will notice the current flowering of the arts. New museums flourish, new buildings sport elegant status, and new hotels decorate their lobbies and rooms with original contemporary art. Fifty-three art galleries took part in the Seoul Art Fair in the late summer of 1992. Most of them were from Seoul, and the majority of the artists were young--born in the early fifties. It is as if the long years of Japanese occupation and the destruction wrought by two major wars served as a dam that a new generation has opened, allowing a creative river to burst forth and flood the country with a largess of art.

Grateful for their inde...


. . .


...ly dominated the Seoul Art Fair in 1992. Little of the violence and anger that shows up in comparable exhibitions by young artists in New York appeared in the Korean art on view in Seoul.

The central thought of the t'aegukki, the Korean flag is balance and harmony within the constant movement of infinity. Despite the amazing pace of modernization, Korean art still reflects this concept.



(806 of 7,138 characters)

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Publication Details (The World & I Online)
The World & I Online is a comprehensive academic resource that encompasses a broad range of articles by scholars and experts in the areas of Global Studies, Liberal Arts, Fine & Applied Arts, General Science, and Spanish. Originally published monthly in print as The World & I, our site includes the complete contents since 1986 and continues to publish a new issue online each month.
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