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Toshiko Takaezu: Eastern Tradition/Western Individualism
Section: THE ARTS / DESIGN
Author: Patricia Malarcher
Publication: The world & I online
Issue Date: 9/1/1991
Size: 902 Words, 5,653 Characters

Toshiko Takaezu's ceramics range from small pots with curves that fit the hollow of a hand to enormous cylindrical and globular sculptures that suggest trees and boulders. Clustered on the floor as they were recently at the Montclair (N.J.) Art Museum for a forty-year retrospective of her works, the larger pieces resembled a lunar landscape and a giant melon patch. But mounted on pedestals, at the Allentown (Penn.) Museum, the show's second venue, they became pure abstract sculpture.

The pleasure of a retrospective such as Toshiko Takaezu: Four Decades is in being able to trace an artist's development, noting where an idea first enters the work and watching it mature.

Walking among some...


. . .


...f development, and its independence from pressures to conform to current trends, Toshiko's work represents values uncommon in American culture. Yet she has gained recognition and respect in the worlds of both fine arts and crafts, as well as in the academic community. Not through dialectics, but through the quiet persistence of its own reality, her work challenges us to reappraise our values.



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Publication Details (The World & I Online)
The World & I Online is a comprehensive academic resource that encompasses a broad range of articles by scholars and experts in the areas of Global Studies, Liberal Arts, Fine & Applied Arts, General Science, and Spanish. Originally published monthly in print as The World & I, our site includes the complete contents since 1986 and continues to publish a new issue online each month.
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